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The Temple of Venus and Rome: Worth a Visit, But Missing the Best Part

November 23, 2010 No Comments

It was a big, big deal when the Temple of Venus and Rome opened this month after a 26-year restoration. And so I was pretty psyched to go see it.

But I should, maybe, have been a little more tempered in my excitement.

First: Let me just say that the Temple of Venus and Rome is beautiful. It's also massive; at 350 feet long and 150 feet wide, it's thought to have been ancient Rome's single biggest temple. And it's impressive that so much of it is around today, given the fact that it was built by the emperors Hadrian and Antoninus Pius from 121 to 141 A.D.

I also love the cleverness of the temple. One side of it was in honor of the goddess Venus, the other in honor of the goddess Roma, which doesn't seem that clever — and might even seem a little odd — until you think about how Venus mothered Aeneas, whose descendant founded Rome. Not to mention that Venus was the goddess of love, or "amor" in Latin, so you have "Roma" and "Amor" back-to-back. Literally. (Cute, huh?)

More gushing goes to the fact that the restoration is (finally!) finished. It took €264,034.80 (although after €100,000, who's counting that €.80?) and 26 years, and it's done… and done well.

So what was I slightly-less-excited about than I otherwise would have been? Well, the fact that I was expecting, from the hubbub of media articles surrounding the temple's re-unveiling, the visitable part to look something like what you see below.

In fact, though, that part is closed to the public: All you can do is peek through the window, getting a glimpse of the floor (although not of the apse). (The photo is the promotional photo used by Rome's culture ministry). An archaeologist at the Sopraintendenza office around the corner from the temple told me it's because the marble is just too delicate. And, as a big proponent of, you know, keeping old stuff preserved, I can completely support the choice to keep that section roped-off to the public. Still, after seeing articles like this one with images of people walking around the cella, I couldn't help but be disappointed. Just a little bit.

Then again, I know I'm just being greedy. And picky. And wouldn't even feel this way had I not seen photos of people walking around the area, which must have come from the opening ceremony.

So if you're paying a visit to the ancient forum, don't misunderstand — the temple is well worth a stop. It's impressive even for its sheer scale alone. So I don't want to talk anyone out of going. You absolutely should. After all, entrance to the temple is included in your ticket to the forum and Colosseum, so what's stopping you?

Entrance to the Temple of Venus and Rome is to the left of the Arch of Titus as you face the Colosseum, before leaving the forum.

Art, Museums, Rome

The Newly Renovated Palazzo Barberini: The Verdict

October 5, 2010 4 Comments

Palazzo Barberini, home both to the powerful clan that produced Pope Urban VIII and to paintings by greats like Raphael, Caravaggio, Titian and El Greco, hasn’t been a proper museum in years. Plans to create a central space for its collection were stalled for decades; until 2006, the palazzo even served as an administrative office for the Italian military. Paintings were split between various galleries across Rome, and even more of them remained in storerooms, hidden to the public.

That all changed just a couple of weeks ago.

I paid a visit to the newly-restored Palazzo Barberini today, and all I can say is: what a difference a few more rooms make.

(Note: This post was last updated with current information in April 2017).

The piece-de-resistance of the whole collection long has been Pietro da Cortona’s Triumph of Divine Providence (shown above), the fresco on the ceiling of the Grand Salon, mind-boggling for its size, its spot-on execution of trompe l’oeil, and its sheer over-the-top-ness. Under restoration for months, it’s now viewable in all its Baroque glory. A plus: Two comfy, long sofas let you stretch out on your back to take it in without hurting your neck.

But there are other jewels in the collection that are only now being shown off, too. Medieval pieces that had been undisplayed, including 14th-century scenes of crucifixions and sad-eyed Madonnas, now take up several rooms. A hall of landscape paintings includes several sweeping works by Paul Brill. And one room just opened to the public features a rushing fountain, a little piece of indoor theatricality in a time that loved everything unexpected and dramatic in art.

As well as the art itself, the museum experience has improved. A description in English and Italian greets you in each room, giving an overview of how the pieces link together (usually, by period and geography), and the flow of your visit is set up so that you progress from the 14th century all the way up until the 17th. And because there’s more room, the pieces aren’t as crammed in together.

With its new rooms, the Palazzo Barberini should take you about two hours to get through.

The Palazzo Barberini is located just steps from the Barberini metro at Via delle Quattro Fontane, 13. It’s open every day but Monday from 8:30am-7pm, making it an ideal early-evening stop. The entrance price is currently €10. For more on Palazzo Barberini, click here.

Click here for more information about Palazzo Barberini, including on the pieces that have always been the main draws of the collection, like Raphael’s La Fornarina and Caravaggio’s Judith Beheading Holofernes.

Also: a good reason to head “outside the walls,” books about Italy to put on your must-read list and an answer to the question: is Rome really safe?

If you liked this post, you’ll love The Revealed Rome Handbook: Tips and Tricks for Exploring the Eternal City, available for purchase on Amazon or through my site here! I’m also free for one-on-one consulting sessions to help plan your Italy trip.

Archaeological sites, Events, Rome

The Colosseum’s Subterranean Level…Is Now Open!

September 28, 2010 No Comments

Back in May, the ministry of cultural heritage said it would open the subterranean level of the Colosseum — the section below the arena where gladiators and animals would have waited for their turn to fight — by the end of the summer.

That didn't exactly happen on time, but it is happening. The (still-provisional) opening date, which was just announced, will be Monday, October 11. Update, Oct. 14: On October 14, the ministry announced that the subterranean and third-level area is now open to the public. (Yay!) You can access the subterranean area via guided tours, which start on Oct. 19. To book, click here.

The hypogeum, as the underground area is called, has never been open to the public before. A series of two-level passageways and rooms beneath the area, it would have been dark, dank, and filled with terrified animals and (perhaps also terrified) gladiators. If walking through where bloodthirsty spectators would have sat doesn't give you chills, exploring these underground chambers certainly should.

The restoration of the hypogeum is part of a much bigger plan for the Colosseum, which the ministry plans to restore by 2013. That is, if they can find private sponsors for the $33 million renovation. Hey, you get advertising space on one of the world's most iconic monuments in return. Anyone? Anyone?